Released Date : May 26, 2023
Avg. User's Rating : 3/5
Story: Set in the seedy underbelly of Mumbai, Azam revolves around the power struggle in the Mumbai underworld as Nawab Khan, the undisputed mafia don, dies of cancer and faces his final days.
Review: Azam is full of guns, goons and adventurous exploits. With a plot that veers slightly off the beaten path, this crime drama uncovers a side of the Mumbai underworld that has long been missing in an industry that often gravitates towards tales of the city's mafia. Rather than a conventional tale of cops vs. gangsters, this crime drama delves into internal affairs, exploring one man's relentless pursuit to dominate Mumbai's underbelly, no matter the cost. Executed with a clinical precision like chess moves, he goes on a rampage, systematically eliminating his opponents. Azam proves to be an interesting spectacle that holds your attention, though a few missteps in direction prevent it from being a thoroughly enjoyable ride .
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The movie centers around Mumbai's rival mafia don Nawab Khan (Raja Murad), now confined to his deathbed. After an important gathering involving the Home Minister and Nawab Khan's trusted inner circle, a decision is reached: Anya Shetty (Vivek Ghamonde) will ascend to the post of Nawab Khan. However, after learning of this development, Kadar Pathan (Abhimanyu Singh), Nawab Khan's son, and Javed (Jimmy Shergill), his trusted confidant, spring into action. Together, they devise an elaborate plan to eliminate each participant of the meeting one by one. This treacherous path forward is laced with treachery, deception and treachery, with lives hanging in the balance throughout a single fateful night.
Azam brings together a strong team of industry talents, many of whom deliver heartfelt performances. Jimmy Shergill's portrayal of Javed stands out with his icy demeanor and calculating approach, showing a side of him not seen before. Her performance oozes credibility in a role that demands an imposing presence. Abhimanyu Singh, despite his occasional appearances in films, leaves an impression with his limited screen time. Indranil Sen Gupta brings a raw and proud essence to the role of IPS officer Ajay Joshi. However, the real hero of the film is writer Shravan Tiwari, who ventures into uncharted territories within the underworld narrative. Regrettably, the same level of excellence cannot be attributed to his direction. In some cases, it seems weak and lacks the subtlety that one would expect.
While Azam presents a fresh narrative that uncovers a new dimension of the Mumbai underworld, its downfall lies in its lack of nuanced direction. If the camera had lingered a little longer after the key moments, it would have had a deeper impact. Although the film oozes excitement, it fails to really resonate with the audience. The film is also coveted for a strong art direction. Scenes shot with chroma effects feel boring and detract from the overall experience. Moreover, why filmmakers have a fascination with deaf soundscapes is puzzling. These overwhelming audio elements undermine the intended effect, and they could have learned a lesson from Satya, where the resonant sound of gunfire alone dominated most sequences without a BG score.
The filmmaker deserves credit for stepping outside conventional boundaries and presenting a story that diverges from the usual mafia narrative. It provides a refreshing and engaging experience. The film has several well-crafted sequences that maintain a steady pace. However, the direction would benefit from some tightening. In essence, Azam is a film where writer Shravan Tiwari overshadows director Shravan Tiwari, impacting the overall execution.
